Usakeh's dad is a Stanford prof, and he's been very accommodating of our presence, but I'm sure he'll be pleased to see the end of lounging on his sofas. Happily, it's a large, sunny, pleasant house so there is at least enough room. (Actually, the previous owner was apparently an AV nut, so there's a home theater room that's like a more comfortable version of the little downstairs venue at the old pleasant street theater.
We spent last weekend in Carmel, with U's grandparents (retired professors originally from Vienna), in a gorgeous villa overlooking the sea. It's probably worth millions now, but they've been there for decades and it has a pleasantly lived-in feel. It sort of reminds me of my grandmother's house, for all that it's a comfy Adobe structure on a slope with a gorgeous view of the bay, rather than a stodgy box in North Andover.
Lots of great places to go walking out there, and the most beautiful was Point Lobos state reservation. There were deer, seals, pelicans and many other birds, plus some truly gorgeous terrain and vegetation. I took a bunch of pictures, mainly thinking how Mole Underfield would love them and how he might paint them.
I'm flying back tomorrow, and then... Well, we'll see. No civil politics this week, as we're all away, which is a pity as Cruz and Kasich dropping out leave only Trump in the running for the GOP nomination is probably worth a few minutes discussion.
I have started reading the Three Musketeers, and enjoying it quite a bit. Dumas is quite the storyteller, and it's interesting to me how much I'm enjoying it despite the characters all being rather broad and archetypal. I wonder how much of that is because he created the archetypes? I have seen various movie adaptations, so I'm familiar with some of the story and general plot elements, but it's interesting to see how much of the milieu, the flavor of the story, comes from Dumas. Also, I'd forgotten that he was black. It fascinates me how much of the most popular pop culture is created by marginalized people.